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Rembrandt:
The Painter at Work (Paperback) Ernst van de Wetering
€ 14,90
Rembrandt's intriguing painting technique has stirred the imagination
of art lovers during his lifetime and ever since. In this book, Rembrandt's
pictorial intentions and the variety of materials and techniques he
applied to create his fascinating effects are unraveled in depth. At
the same time, this "archaeology"of Rembrandt's paintings
yields information on many other levels.
In art-historical research, the work of art as a material object is
used increasingly as an important source of information about the painting
itself, as well as about historic studio practice in general. The range
from practical workshop devices to aesthetic and art-theoretical matters
combined in this book offers a view of Rembrandt's daily practice and
artistic considerations, while simultaneously providing a more three-dimensional
image of the historical artist. |
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The Disinherited:
Exile and the Making of Spanish Culture, 1492-1975 Henry
Kamen - € 14,90
Few would
doubt that Spain has for several centuries made a huge contribution
to Europe's culture. We all carry in our heads a seductive picture of
what Spain stands for: its music, painting, buildings, and history.
But what we do not understand is how much of this was the achievement
of a very specific group: the Spanish in exile.
Henry Kamen's The Disinherited is the most significant and enjoyable
book on Spain to appear for many years. He creates a picture of a dysfunctional,
violent country that, since the destruction of the last Muslim territories
in Granada in 1492, has expelled wave after wave of its citizens in
a brutal attempt to create religious and social conformity. Muslims,
Jews, Protestants, liberals, Socialists, and Communists were all driven
abroad at different times, and consequently what we think of as Spanish
culture was substantially their invention--a creative response both
to having no home and to the shock of encountering new worlds. |
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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks
in Arles Martin Gayford - € 7,90
From October to December of 1888, Paul Gauguin shared a yellow house
in the south of France with Vincent Van Gogh. They were the Odd Couple
of art history—one calm, the other volatile—and the explosive
denouement of their living arrangement came when Van Gogh suffered the
psychological crisis that culminated in his cutting off part of an ear,
after which he was institutionalized. Yet during this exhilarating period
they created a stream of masterpieces, including Van Gogh's Sunflowers.
Martin Gayford describes not only how these artists painted together
and exchanged ideas, but also the texture of their everyday lives, and
makes a persuasive analysis of Van Gogh's mental illness.
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The Judgement
Of Paris The Revolutionary Decade That Gave The World
Impressionism Van €
20,- Voor € 8,90
Ross King
With his usual
narrative brilliance and eye for telling detail, Ross King has taken
the parallel careers of Meissonier and Manet and used them as a lens
for their times. Beginning with the year that Manet exhibited his ground-breaking
Dejeuner sur l'herbe and ending in 1874 with the first 'Impressionist'
exhibition, King plunges us into Parisian life - on the streets and
in the corridors of power - during a ten-year period full of social
and political ferment. These were the years in which Napoleon III's
autocratic and pleasure-seeking Second Empire fell from its heights
into the ignominy of the Franco-Prussian war and the ensuing Paris Commune
of 1871. But it was also a period in which a group of artists, with
Manet in the vanguard began to challenge the establishment by refusing
to paint classical or historical subjects and, instead, turning to the
landscapes and ordinary people they saw around them. Benign as such
paintings might seem today, they helped change the course of history.
The struggle between Meissonier and Manet to get their paintings exhibited
in pride of place at the Salon was not just about art, it was about
how to see the world. |
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Bouwkunde |
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The Culture
of Building Howard
Davis Van € 35,- Voor €
17,50
The Culture of Building describes how the built world, including the
vast number of buildings that are the settings for people's everyday
lives, is the product of building cultures--complex systems of people,
relationships, building types, techniques, and habits in which design
and building are anchored. These cultures include builders, bankers,
architects, developers, clients, contractors, craftspeople, building
inspectors, planners, and many others. The product of these cultures,
which operate building after building, is the built world of cities
and settlements. In this book, Howard Davis uses historical, contemporary,
and cross-cultural examples to describe the nature and influence of
these cultures. He shows how building cultures reflect the general cultures
in which they exist, how they have changed over history, how they affect
the form of buildings and cities, and how present building cultures,
which are responsible for the contemporary everyday environments, may
be improved. Following the development of the idea of building cultures
using several historical examples, the book lays out a framework that
puts such topics as craft and professionalism, the vernacular and nonvernacular,
and design and construction in common frameworks. Although the book
ranges widely over different cultures and historical periods, it emphasizes
the transformations that took place in architecture and building practice
from the late eighteenth century to the present. Finally, the book uses
a series of contemporary examples that demonstrate the building culture
as a living concept.
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The City: A Global
History Joel
Kotkin Van € 19,90 Voor
€ 6,90
Despite their infinite variety, all cities essentially serve three purposes:
spiritual, political, and economic. Kotkin follows the progression of
the city from the early religious centers of Mesopotamia, the Indus
Valley, and China to the imperial centers of the Classical era, through
the rise of the Islamic city and the European commercial capitals, ending
with today’s post-industrial suburban metropolis.
Despite widespread optimistic claims that cities are “back in
style,” Kotkin warns that whatever their form, cities can thrive
only if they remain sacred, safe, and busy–and this is true for
both the increasingly urbanized developing world and the often self-possessed
“global cities” of the West and East Asia.
Looking at cities in the twenty-first century, Kotkin discusses the
effects of developments such as shifting demographics and emerging technologies.
He also considers the effects of terrorism–how the religious and
cultural struggles of the present pose the greatest challenge to the
urban future.
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